Ania Vegry

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The young soprano Ania Vegry is one of the most promising rising stars of her generation. Laureate of the 2011 Geneva International Music Competition, she has been the youngest member of the solo ensemble of the Hannover State Opera for five years, where she has performed brilliantly in a number of leading roles. In 2009 „Opernwelt“ nominated her as „young singer of the year“ for her outstanding performance as Susanne in the new Hannover production of Mozart‘s „The Marriage of Figaro“.

In addition to numerous roles in Mozart‘s operas (e.g. Ilia, Blonde or Pamina) Ania Vegry has sung the roles of Sophie (Strauss), Gilda, Nannetta, Oscar (Verdi), Musetta, Lauretta (Puccini), Gretel (Humperdinck), Rosina and Madama Cortese (Rossini) among others. The young singer has impressed audiences beyond the opera stage as well. She regularly presents Lied recitals and has performed with such renowned orchestras and ensembles as the SWR Sinfonieorchester, the NDR Radiophilharmonie, the Orchestre de la Suisse Romande, the Stockholm Chamber Brass, the Amadeus Chamber Orchestra, Musica Alta Ripa, the Szymanowski Quartett and the Arte Ensemble. Among the renowned conductors she has collaborated with are Maxim Vengerov, Enrique Mazzola, Eivind Gullberg-Jensen, Simon Halsey, Jonathan Darlington, Ira Levin, Helmuth Rilling, Jörg Straube, Ivan Repusic and Andrea Sanguineti. She has performed chamber music with renowned artists like Rudolf Buchbinder, Tabea Zimmermann, Sivan Silver, Gil Garbourg, Kit Armstrong, Andrej Bielow, Nicholas Rimmer and Sharon Kam.

Born into a family of musicians in London, Ania Vegry received violin and piano lessons at a very early age. Her first voice instruction was with Gudrun Schroefel of the internationally renowned Maedchenchor Hannover (Hannover Girls‘ Choir). She gave her debut at the age of seventeen in the role of First Boy in the Hannover State Opera‘s production of Mozart‘s „Magic Flute“.

Ania Vegry studied at the Hannover University of Music, Drama and Media with Christiane Iven and with Charlotte Lehmann. She has attended Lied classes by Philip Schulze and Justus Zeyen. Master classes with Klesie Kelly, Grace Bumbry, Ingrid Figur, Aribert Reimann and Teresa Berganza have rounded out her education. She is a laureate of numerous national and international competitions and held a scholarship from the Studienstiftung des Deutschen Volkes (German National Academic Foundation), Yehudi Menuhin‘s Live Music Now Programme and the Richard Wagner Federation. In2010 she was awarded the Praetorius Prize of the State of Lower Saxony for her outstanding artistic achievements. Recently Ania has performed debut concerts on world-renowned stages such as Deutsche Oper am Rhein, the Hamburger Staatsoper, the Alte Oper Frankfurt, the Konzerthaus Berlin, the Berliner Philharmonie and the Desingel (Antwerpe). Her performances at the Staatsoper Hannover include Minette (The English Cat – Henze), Cunegonde (Candide), Susanna (Le Nozze di Figaro) and Adina (L ́elisir d ́amore). In the upcoming season she will take on the roles of Pamina (Zauberflöte), Constance (Dialogues des Carmélites) and Gemmy (Guillaume Tell – Rossini).

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Repertoire Musiktheater

L. Bernstein Candide Cunegonde
G. Bizet Carmen Micaëla
B. Britten A Midsummer Night’s Dream Helena
G. Donizetti L’elisir d’amore Adina*
G. Frid Das Tagebuch der Anne Frank Anne Frank
F. L. Gassmann L’opera seria Porporina
C. W. Gluck Orfeo ed Euridice Euridice
H. W. Henze Die englische Katze Minette
E. Humperdinck Hänsel und Gretel Gretel
J. Massenet Werther Sophie
W. A. Mozart La finta semplice Rosina
Idomeneo Ilia
Die Entführung aus dem Serail Konstanze / Blonde
Le nozze di Figaro Susanna
La clemenza di Tito Servilia
Die Zauberflöte Pamina
K. Penderecki Die Teufel von Loudon Gabrielle
S. Prokowjew L’amour des trois oranges Ninetta
G. Puccini La Bohème Musetta
Suor Angelica Genovieffa
Gianni Schicchi Lauretta
H. Purcell Dido and Aeneas Dido
G. Rossini Il barbiere di Siviglia Rosina
Il viaggio a Reims Contessa di Folleville
J. Strauss Die Fledermaus Adele
R. Strauss Der Rosenkavalier Sophie
M. Trojahn Orest Hermione
V. Ullmann Der Kaiser von Atlantis Bubikopf
G. Verdi Rigoletto Gilda
Un ballo in maschera Oscar
Falstaff Nannetta
R. Wagner Tannhäuser Junger Hirte
Das Rheingold Woglinde
Siegfried Waldvogel
K. Weill Der Zar lässt sich photographieren Falsche Angèle
Street Scene Rose
* in Vorbereitung

Repertoire Konzert (Auswahl)

A. C. Adam Bravour-Variationen über ein Thema von Mozart
J. S. Bach Hohe Messe h-moll BWV 232
Magnificat BWV 243
Matthäus-Passion BWV 244
Johannes-Passion BWV 245
Diverse Kantaten und Arien
A. Berg Sieben frühe Lieder op. 18
L. Berio Sequenza III
J. Brahms Ein deutsches Requiem op. 45
Liebesliederwalzer op. 52 und 65
B. Britten Les Illuminations
A. Bruckner Messe in f-moll
G. Fauré Requiem op. 48
G. F. Händel Messiah HWV 56
J. Haydn Die Schöpfung
G. Mahler 4. Sinfonie
F. Mendelssohn Bartholdy Elias
C. Monteverdi Confitebor
W. A. Mozart Exsultate, jubilate KV 165
Krönungsmesse KV 317
c-moll-Messe KV 427
Der Messias KV 572
Requiem KV 625

Konzertarie „Ch’io mi scordi di te?

Non temer amato bene“ KV 505 

L. Nono Canti di vita e d’amore
C. Orff Carmina Burana
G. P. da Palestrina Pulchra es, amica mea
G. B. Pergolesi Stabat mater
M. Ravel Shéhérazade
A. Reimann Nacht-Räume
A. Schönberg Sechs Orchesterlieder op. 8
F. Schubert Der Hirt auf dem Felsen D 565
R. Strauss Diverse Orchesterlieder
I. Strawinski Pulcinella
K. Szymanowski Lieder des verliebten Muezzin op. 42
Lieder der Märchenprinzessin op. 31